GUEST EDIT | SELMA DABBAGH

Selma Dabbagh is a British Palestinian lawyer, novelist and short story writer. Her first novel, Out of It (Bloomsbury, 2011) was set between London, Gaza and the Gulf. She is the editor of ‘We Wrote In Symbols; Love and Lust by Arab Women Writers,’ published by Saqi Books in April 2021 and now available on ISHKAR. She is currently finalising a novel set in Jerusalem in 1936. Selma is on the Advisory Board of the Britain Palestine Media Centre and a collaborator in the PalArt Collective. In 2022, she will start working for the International Centre of Justice for Palestinians.

We asked Selma which ISHKAR pieces are inspiring her this winter. See here selection here: 

AFGHAN GLASSWARE

I love patterns and designs that have a hint of asymmetry to them and objects that are slightly misshapen. It is as though the precariousness of their manufacture is revealed through apparent slippage from the original vision. These glasses are new, but their sense is worn, ancient. To look at them makes you want to fill them, hold them, empty them, keep the liquid flowing. The movement of glass from the East to the West and back again is something that mirrors the way I collected stories for my anthology, We Wrote In Symbols, that draws on the idea of the Mediterranean being a ‘sea of stories.’ It could also be viewed as a sea of trade and a sea of glass, with the movement of glass from the Phoenicians to Venice and back, with windows in Venetian palazzos looking across the seas to similar 19th century windows on the Lebanese coast. Pliny the Elder (AD 23-79) gives an account of the Phoenicians discovering glass when lighting fires on the beaches. For exceptional beauty, pleasure and invention to arise craft, skill and hard work are frequently required, but there’s also a need for nature and a degree of accident to play their role.

CHARMAGHZ CASHMERE SCARFS

I rarely go out without a scarf. I also rarely get colds and believe that if my neck is covered, I am protected. So far, so good with that theory. I fold them into bags, cover myself with them in airconditioned restaurants, sleep under them on planes. I am also a bit of a fidget and they provide an extra object I can mess around with, other than my jewellery and hair. On days when the world seems a little cold and overbearing, they form comfort blanket and luxury, a bit of inside to wrap yourself up in outside when going out to face the world. And cashmere, well, what fabric is softer, hangs better, enriches colours more? I also love it when men wear big scarfs. My first winter in Egypt, I was so taken by the men from Upper Egypt wearing long patterned scarves over their gallabiyyas. It seemed like such a beautiful, obvious thing for men to do.


ZENA SABBAGH’s BEIRUT QUILT

Hand-made, humble, cosy and of a classic design. When I lived in an old house in Jerusalem that was shaped like a little temple, there were alcoves in the walls for rolling the mattresses into during the day. Zena’s blankets remind me of the mattresses. There is something so maternal and snug about them. It inspires similar feelings as the scarves, but for long evenings indoors, writing on my sofa, as I am doing now.


We also asked Selma which side to Palestine she feels is often misunderstood:

Gosh. It’s hard to know where to start with that one. Can I say all of it, but that increasingly the reasons for sustained Palestinian resistance to Israeli apartheid and occupation are becoming understood? Historically, Palestinians were viewed as ‘non-people,’ a dirt on the Orientalist lens when seeking Biblical signs in the Holy Lands and then they were pushed off it. At the time of the biggest expulsion of almost a million Palestinians in 1948, its level of development was not that dissimilar to the rest of the Southern Mediterranean, but the idea that there were Palestinian writers, scientists, businessmen, newspaper owners, doctors with thriving businesses, a defined vernacular architecture and rich agricultural practice, never features. The view is still predominantly of the impoverished collective, ‘maddened by a tragedy they could not fathom,’ as the writer Soraya Antonius once put it. This is being shifted slowly, but surely. Despite their political isolation, Palestinians now have one of the highest rates of education in the world, dominate the sphere of Arabic literature, produce ground-breaking film makers, academics and artists, such as Mona Hatoum and remain steadfast as to their cause. It is perhaps the most tragic nationality one can inherit in the late 20th/ early 21st centuries, but it is also one of the most dynamic.

 

 

What to read next?

See more of our writing here

GUEST EDIT | Mathilda Della Torre
  • Guest Edit
  • 29.01.24

Mathilda Della Torre is a designer and activist whose work focuses on creating projects and campaigns that transition us to a sustainable, fair, an...

GUEST EDIT | TARAN KHAN
  • 15.08.23

One reason we wanted a physical ISHKAR shop was so that we could host events, talks, supper clubs, screenings, exhibitions, etc. A place to join wi...

GUEST EDIT | RUBY ELMHIRST
  • bookshop
  • 24.11.22

Ruby Elmhirst is a creative producer, working with sustainable and socially conscious designers, artists and brands on unique projects across an array of mediums. Originally from London, her family lives between rural Jamaica and New York. This contrast has vastly informed her mission to promote opportunity, acceptance, education and diversity within design. For this edit she shares her interior wishlist as we get into winter and spend more time indoors.

THE JADID MOVEMENT IN SOVIET UZBEKISTAN
  • Exhibition
  • 27.10.22

We spoke to Niloufar Edmonds, the curator of 'Bound for Life and Education: Sara Eshonturaeva and the Jadid Movement in Soviet Uzbekistan' about th...

My Pen Is the Wing of a Bird: Striking New Fiction by Afghan Women Writers
  • 26.09.22

'My Pen Is the Wing of a Bird' is an extraordinary anthology of fiction by Afghan women writers, published in Feb 2022 by MacLehose Press in the UK...

NFT Print Capsule
  • 04.07.22

For the Print Sale for EMERGENCY 2022, some of the photographers are offering one-off prints as NFTs, some for the first time!Including Matthieu Paley, Glen Wilde & Michael Christopher Brown.

EMERGENCY PRINT SALE 2022
  • 22.06.22

On the 15th of August 2021, Afghanistan fell to the Taliban. As the world looked on, ISHKAR launched a sale of photographic prints to raise money for EMERGENCY Hospitals in Afghanistan. Like you, thousands of generous people contributed.

One year later the world’s attention has moved on. However the situation in Afghanistan is getting worse and worse. We’ve teamed up with an amazing group of photographers to run the print sale again. This is our opportunity to show Afghanistan that we still care. That we have not forgotten. This is our chance to direct crucial aid to where it is needed most.

Collection: Handmade in Pakistan & Yemen
  • Collection
  • 14.06.22

Our handmade shirts and soap stone bowls, photographed by Charles Thiefaine on the island of Socotra, Yemen. November 2021. 

The Houses of Beirut by Julie Audi
  • Julie Audi
  • 28.03.22

It’s been a whirlwind for Beirut. Lebanon’s capital has spent the past twenty years trying to rebuild itself and its identity. I grew up in a city ...

Do we stay or do we go?
  • 20.01.22

When Afghanistan fell to the Taliban we immediately paused trading with Afghanistan. After much deliberation, we have now taken the decision to con...

Act For Afghanistan: Ways to Continue Supporting
  • Afghanistan
  • 26.11.21

Now is not the time to stop reading, talking and thinking about Afghanistan. The situation continues to worsen by the day. So we've put together a few actions that you can take to make sure the world doesn't turn its back on Afghanistan, when it needs us all the most.

Mosul by Olivia Rose Empson
  • Olivia Rose Empson
  • 06.10.21

Mosul, a city in the North of Iraq, is gradually remembering the steps to a long forgotten tune. Once a vibrant area with art, coffee shops and lo...

GUEST EDIT | CARMEN DE BAETS
  • 01.07.21

Lebanese-Dutch Carmen Atiyah de Baets is CARMEN’s co-founder, a multifunctional guesthouse, kitchen, gallery and shop in the heart of Amsterdam.

Sicilian Street Food: Arancini
  • 25.06.21

  Sicily is famous for its street food, from freshly cooked calamari to crisply fried panella. One of our favourite Sicilian streets are Arancini....

Explore Neighbourhood Gems - Columbia Road
  • 17.06.21

This summer we will be hosting different pop ups on London's Columbia Road, home to some of London's best restaurants, street bars and independent boutiques. Combine your pop up visit with some of these local highlights:

GUEST EDIT | IBI IBRAHIM
  • 25.03.21

Ibi Ibrahim is an American Yemeni curator, artist, writer, filmmaker and musician. 

Know Your History: 5 Afghan Women You Should Know
  • Afghanistan
  • 08.03.21

Words by Shamayel, founder of Blingistan. Illustrations by Blingistan + Daughters of Witches. How many of these five extraordinary women have you h...

Blingistan as in the land (-istan) of Bling
  • Guest Edit
  • 05.03.21

We spoke with Blingistan founder, Shamayel, about the need for playful, bold, conversation starters that can change the narrative about Afghanistan. 

GUEST EDIT: JAMES SEATON
  • Guest Edit
  • 28.01.21

We invited James Seaton, co-founder of TOAST, to cast his well trained design eye over our collection and to be our very first guest editor.

Who gets what: our product pricing explained
  • ISHKAR
  • 26.01.21

How, we are often asked, can a box of six glasses made in Afghanistan, one of the world’s poorest countries, be sold in London for £80? In this blog post we aim to show you who gets what and why.

A letter in the time of COVID-19
  • ISHKAR
  • 06.03.20

This is the time for facts, not fear. This is the time for science, not rumours. This is the time for solidarity, not stigma. We are all in this together, and we can only stop it together.

Paradise Lost & Found: Babur Gardens
  • Lucy Fisher
  • 03.05.19

A guest blog by Lucy Fisher I would like to hazard a guess that the first image which comes to mind when asked to think of Afghanistan is probably not a garden in full bloom, carefully tended to by a team of dedicated local gardeners.  Despite the horrific turmoil...

A Conversation With Ibi Ibrahim
  • Interview
  • 02.02.19

A guest blog by Louis Prosser After almost four years of incalculable destruction and suffering in Yemen, you might think that the last sparks of beauty and creativity had been crushed. You would be wrong.Ibi Ibrahim is a 31-year-old artist working mainly in photography and film. He is Yemeni,...

The ultimate sacrifice
  • ISHKAR
  • 02.01.19

[replace_with_featured_image] Fig 1. Babur gardens [source unknown] Fig 2. One of the hospital's where Dr Jerry used to work[source unknown] W...

Timbuktu: A wild story of Myth, Renaissance, Rescue & Ruin
  • ISHKAR
  • 16.10.18

‘I don’t care if you’re in Timbuktu,’ we might say. ‘You’ll be here tomorrow or else!’ Or perhaps, ‘He’s flirted with every girl from here to Timbuktu!’ It means something like God Knows Where, or A Million Miles Away.

War Rugs
  • Louis Prosser
  • 08.10.18

'Bebinin, bebinin,' insisted Parsa. I was in the royal city of Esfahan, which the Persians call 'nesf-e jahan' ('half of the world'). In a cramped bazar beneath soaring domes and arches, I was in a world of carpets. 'Look, look: apache, apache!’ The word rang a bell (an American tribe?) but it took me a few seconds to see. It was a truly beautiful piece.

The Pin Project Viewed from the Ground: A Guest Blog
  • Sofya Saheb
  • 10.07.18

The Pin Project is an initiative ISHKAR launched on Kickstarter last year. We raised over £63,000 to provide jewellery training and work for displaced people living in Burkina Faso, Turkey, Jordan and Afghanistan. 

Soqotra: The Evolution of an Alien Island
  • ISHKAR
  • 28.05.18

Give a child a packet of crayons and tell them to draw a fantasy island, and they might well conjure up the Yemeni island of Soqotra.

LET'S WORK IT OUT!
  • ISHKAR
  • 12.12.17

As humans, we crave order. For many, productive work provides this structure. The world around us might be chaotic. But with work we can, at least at times, control what we do in a way we are rarely able in other parts of life.

Tradition as Radical
  • ISHKAR
  • 25.07.17

At the beginning of this year, Flore and I found ourselves at the world trade fair for homewares, Maison et Objet in Paris. After a morning of walking through the colossal trade halls we were quite frankly bored of looking at objects. We were just about to escape and get a coffee when we came across Sebastian Cox’s stand.

Handmade - so what?
  • ISHKAR
  • 20.07.17

Once a hipster trend, the desire for handmade goods has become thoroughly mainstream. It can be seen from the meteoric rise of Etsy, right through to proliferation of the word ‘artisan’ on products ranging from shoes to bread. Handmade products tend to be more expensive, and by no means assure better ‘quality’, so what’s all the fuss about?

Risk: Sliced, Diced and Sprinkled On Top
  • ISHKAR
  • 13.07.17

As wedding season approaches, we have been getting an increasing number of exasperated customers asking when our most popular glasses will be back in stock again. Well, here's the honest answer – we have NO idea

Traces of Aleppo
  • ISHKAR
  • 08.05.17

[replace_with_featured_image] Fig 1. Traces of Aleppo [source unknown] Zaina Sabbagh bought her first wooden printing block when she was 14. Sh...

Timbuktu & Back
  • ISHKAR
  • 05.04.17

I remember singing a nursery rhyme about Timbuktu when I was in primary school. I can’t remember what it was now – was it ‘from Kalamazoo to Timbuktu’? – but I remember the images clearly. A fabled desert city at the end of the world where Arabs and Africans would meet to trade salt and gold, and in the cool of enormous mud structures blue robed scholars would scribble marginalia in great gold embossed manuscripts.

Can 'crafts' really drive serious economic growth?
  • ISHKAR
  • 28.09.16

Yet we would be wrong to think of crafts as a small sector at the fringes of the global economy. Far from it, crafts are in fact the second largest employer in the developing world, and have a proven track record of leading a number of developing world countries towards developed world status.

Want to help Afghanistan? The case for buying over donating
  • ISHKAR
  • 12.09.16

The World Bank has ranked Afghanistan, as the 177th easiest country in which to do business with in the world. Unfortunately that was out of 188 economies. Here’s a quick barrage of some more dismal figures… In 2014 Afghanistan’s economy lost a third of its value, and annual economic growth slowed from 14% down to 1.5% where it hovers around today. 

The Journalism of Things
  • ISHKAR
  • 04.08.16

Every now and then a short video or article pops up on our newsfeed which tells a captivating story about Afghanistan or Syria that has nothing to do with war. For a couple of minutes we are reminded that countries like Afghanistan and Syria are home to talented, energetic people whose lives are not solely defined by the circumstances of the country in which they live. It’s a nice reminder, but we return to our day, forgetting about what we watched or read shortly after.

Afghanistan by Choice
  • ISHKAR
  • 13.07.16

Theresa May’s recent triumph as Tory party leader reminded us of a controversial decision she took earlier this year. Despite 2015 being the most dangerous year to date in terms for civilian casualties, she successfully lifted the UK government’s blanket ban on deportations back to war-torn countries.

Goodbye Peacock House, Hello ISHKAR!
  • ISHKAR
  • 12.07.16

When we set up Peacock House last Christmas, we only intended to sell a handful of cufflinks in order to fund a nice post-Kabul holiday. The response we received was phenomenal, and we sold ten times the number of cufflinks we initially expected to sell! What started out as a week of work for the young group of jewellers we were working with in Kabul, turned into five weeks of full-time employment.

An Artisan Against the Odds
  • ISHKAR
  • 05.07.16

The closing of the Greek/Macedonian border in March left 15,000 refugees stranded in Idomeni. This area became the largest informal refugee camp in Europe since World War II.

FROM TRASH TO TABLE: SYRIAN REFUGEE'S SOLUTION TO LEBANON'S RUBBISH CRISIS
  • ISHKAR
  • 25.06.16

Stepping out of Beirut airport you are immediately hit by the smell of rotting rubbish. It is a heady reminder of the rubbish crisis which hit Beirut a few months ago. With landfill sites overspilling, rubbish lined the streets of Beirut, piling up in forests and river beds surrounding the capital.

Lessons from Lebanon
  • ISHKAR
  • 23.06.16

Whilst European leaders complain that Europe is reaching a critical point where it can no longer absorb any more refugees, and concerns over immigration have driven the UK towards an ignominious EU exit - with a population of just 4 million, Lebanon is home to more refugees than the whole of Europe combined.

WHY MAKING MAKES US FEEL GOOD
  • ISHKAR
  • 02.04.16

I have recently taken up carpentry classes. I have no talent for making things with my hands, and the few things I’ve been able to make are very poorly put together. But for three hours a week I saw, I sharpen, I sand and I hammer. And it makes me feel good.

AFGHANISTAN - QUE LIRE, QUE REGARDER?
  • ISHKAR
  • 02.03.16

Outre le blog de Peacock House, de nombreux ouvrages/documentaires de qualité soulignent différentes facettes de l'Afghanistan. Ce pays a fait couler beaucoup d'encre au sujet de ses guerres, dont il a été le theatre depuis 1979, mais a su aussi seduire ses visiteurs par la richesse de ses montagnes et de ses habitants. L'Afghanistan se découvre aussi sous un autre jour..

The Glassmakers of Herat
  • ISHKAR
  • 15.02.16

In Winter, a thick cloud hangs over Kabul as people light wood and coal burning stoves to warm their homes. As a result the last few weeks Kabul’s weather has been described by Yahoo weather as ‘smoke’. We left the polluted capital, for the western city of Herat for a restorative break and to visit Hajji Sultan, the head of one of Herat’s last remaining glassmaking families.

The Birth of Blue
  • ISHKAR
  • 02.02.16

Until relatively recently in human history ‘blue’ as we know it did not exist. There is no word for ‘blue’ in Ancient Greek, Hebrew, Chinese or Japanese. As hard to imagine as it is, ‘blue’ was simply not a colour the ancients were familiar with.

The Danger of the Single Story
  • ISHKAR
  • 02.01.16

Last night a car rigged with explosives targeted Le Jardin restaurant in Kabul. The explosion killed two people, and wounded 15 others.

Be the first to know about our latest collections, pop ups & collaborations
£{{amount}}

Cart

Product added to your Cart

X